WOMEN IN HISTORY - VALAIDA SNOW
African-American band leader and trumpet player
DATE OF BIRTH
June 2, 1904
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PLACE OF BIRTH
Chattanooga, Tennessee
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DATE OF DEATH
May 30, 1956
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PLACE OF DEATH
New York, New York
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FAMILY BACKGROUND
Valaida Snow was born into a family of musicians: Her mother taught Valaida, her sisters Alvaida and Hattie, and her brother, Arthur Bush, how to play multiple instruments. Valaida and all her siblings became professional musicians. Valaida married twice: first, to dancer Ananias Berry from the Berry Brothers dancing troupe and then to performer and producer Earle Edwards.
EDUCATION
Valaida Snow was taught by her mother to play cello, bass, violin, banjo, mandolin, harp, accordion, clarinet, saxophone and trumpet.
ACCOMPLISHMENTS
It was natural for Valaida Snow to be an entertainer: at the young age of fifteen, she was already a recognized professional singer and trumpet player. While Valaida Snow's beauty attracted audiences, it was her incredible talent as a jazz trumpeter which truly captivated them. She obtained the nickname, "Little Louis" due to her Louis Armstrong-like playing style. Valaida toured and recorded frequently in the United States, Europe and the Far East both with her own bands and other leaders' bands. During the years 1930 through 1950 Alvaida could be seen with various jazz greats: With her sister, Lavaida, a singer, she performed in the Far East with drummer Jack Carter's jazz octet. She took part in a session with Earl Hines in New York in 1933 and also performed with Count Basie, Teddy Weatheford, Willie Lewis and Fletcher Henderson at various places and times. As an actress, she debuted on Broadway in 1942 as Mandy in Eubie Blake and Noble Sissles's musical Chocolate Dandies. Later, she appeared on Broadway in Ethel Waters' show, Rhapsody in Black in 1934; she appeared in the London production of Blackbirds in 1935 with Johnny Claes and also in its Paris production. She could be seen in Liza across Europe and Russia in the 30's and was also in the Hollywood films Take It from Me in 1937, Irresistible You and L'Alibi and Pieges in 1939 with her husband Ananais Berry.
After headlining at the Apollo Theater in New York, Valaida returned to Europe and the Far East to perform. World War II had begun and Valaida was arrested by the Germans for theft and misuse of drugs. She was held for 18 months between 1940 and 1942 at Wester-Faengle, a Nazi concentration camp. She was subsequently released as an exchange prisoner in unstable health. Although this imprisonment greatly affected her physical and psychological health, she resumed performing and appeared at several prestigious engagements. It was at this time that she married producer Earl Edwards.
In the 1930's Valaida Snow's style was characterized by a contagious energy and spark. The 1940's showed a Valaida with a deep blues feeling known and admired for her tremendous breadth and depth of talent. Her rare talent was as much a curiosity as it was admired: as a woman, she was an aberration in a male dominated jazz world. She made her last performance at the Palace Theater in New York in 1956 and died that year on May 30th of a cerebral hemorrhage.
After headlining at the Apollo Theater in New York, Valaida returned to Europe and the Far East to perform. World War II had begun and Valaida was arrested by the Germans for theft and misuse of drugs. She was held for 18 months between 1940 and 1942 at Wester-Faengle, a Nazi concentration camp. She was subsequently released as an exchange prisoner in unstable health. Although this imprisonment greatly affected her physical and psychological health, she resumed performing and appeared at several prestigious engagements. It was at this time that she married producer Earl Edwards.
In the 1930's Valaida Snow's style was characterized by a contagious energy and spark. The 1940's showed a Valaida with a deep blues feeling known and admired for her tremendous breadth and depth of talent. Her rare talent was as much a curiosity as it was admired: as a woman, she was an aberration in a male dominated jazz world. She made her last performance at the Palace Theater in New York in 1956 and died that year on May 30th of a cerebral hemorrhage.
BIBLIOGRAPHY
- Carr, I., D. Fairweather, and B. Priestley. Jazz: The Essential Companion. 1988.Dahl, Linda. Stormy Weather: The Music and Lives of a Century of Jazzwomen. 1984.Handy, D. Antoinette. Black Women in American Bands and Orchestras. 1981
- Placksin, Sally. American Women in Jazz, 1900 to the Present: Their Words, Lives and Music. 1982.
- Reed, Bill. Hot from Harlem : Profiles in Classic African-American Entertainment. Los Angeles : Cellar Door Books, 1998.
- Sampson, Henry T. Blacks in Blackface: A Source Book on Early Black Musical Shows. Metuchen: New Jersey, 1980.
- Harlem Comes to London. DRG Records SW 8444 Swing, 1929-38
- Hot Snow: Valaida Snow, Queen of the Trumpet, Sings and Swings. Rosetta Records RR 1305 Rosetta Records, 1937-50
- I Got Rhythm. Parl F1048, 1937
- My Heart Belongs to Daddy. Sonora 3557, 1939
- Swing is the Thing, World. EMI SH 354, 1936-37
- Valaida: High Hat, Trumpet and Rhythm. World EMI SH 309
WEBSITES
- Valaida Snow: Stranger Than Fiction
- Orchids in Snow: The Life and Music of Valaida Snow (includes sketch)
- Valaida Snow: Queen of the Trumpet (includes picture)
CITATION
This page may be cited as:
Women in History. Valaida Snow biography. Last Updated: 2/25/2013. Women In History Ohio.
<http://www.womeninhistoryohio.com/valaida-snow.html>
Women in History. Valaida Snow biography. Last Updated: 2/25/2013. Women In History Ohio.
<http://www.womeninhistoryohio.com/valaida-snow.html>